Ghosts I-IV, a new instrumental album from Nine Inch Nails. Available for download from their site, DRM-free, $5 for the full 36 track collection.
Ghosts I-IV, a new instrumental album from Nine Inch Nails. Available for download from their site, DRM-free, $5 for the full 36 track collection.
Yes We Can song by wil.i.am supporting Barack Obama.
I'm an album guy, not a single-song guy. I love being able to play a full album from start to finish, and to be able to experience the story and the changes and flows of musicality and sound within the artist's style throughout the album's progression. For that reason hip-hop has never been able to hold my attention. I get distracted and uninterested when an album doesn't keep reeling me in, doesn't push the limits of the artist's sound, doesn't make me expand in my listening. I think it's an important part of song writing, and it's unfortunately absent more often than not.
Kingdom Come, Jay-Z's come-back album, is not only the first hip-hop album I've bought in probably a decade, it's also the first hip-hop album I think I've ever listened to straight through. The missing piece that has led my playlist to be only very scantily sprinkled with various hip-hop singles from select artists, has shown up here in this album. I love it, start to finish, and I'd even go so far as to say it's brilliant.
Here's to hip-hop. Rock on.
It's unfortunate for this to be my first post after having been away from here for almost two months, but this is all that has moved me to do so in as long. I'm devastated to have found out that Blue Merle has split up after just one studio album together.
Not only my absolute favorite album in a long time, these guys were my only hope for the beginning of a new sound - a break from the recent onslaught of sensitive acoustic singer/songwriter-type groups and solo acts. Don't get me wrong, I'm a huge fan of this genre - Dave Matthews, David Gray, Coldplay, Howie Day, Jason Mraz - they rank among my favorites. But there's been a seemingly endless overflow of this sound recently (John Mayer, Pete Yorn, Jack Johnson, James Blunt, Teitur, Daniel Powter, Maroon 5), and it's beginning dilute into a mush of sensitive guys, precarious lyrics, tortured voices, and unfortunately an increasingly familiar sound. These are all great bands, but the sound has become so pervasive that it's now becoming monotonous.
It seems to be the easiest route into the mainstream these days, and few artists seem to be brave enough to break out of pure emotional song writing into creating a truly unique sound. Blue Merle was the first band that I've heard since David Gray to really bring an authentically new sound to a genre that's so widely over-done. Their music was simply brilliant.
Hopefully they were around long enough to spark something - I would hate for this album to get lost among the wreckage of the rest.
UPDATE: Lucas Reynolds (of Blue Merle) has put out a 6 song CD of his solo recordings called The Space Between the Lines. Available here.